Archive for 2011

Brand New Photos of Emma Roberts and Ghostface in SCREAM 4

By CARL CORTEZ 01/25/2011
SCREAM 4 poster | &copy 2011 Dimension Films

The release date for SCREAM 4 (aka SCRE4M) is only a couple of months away (April 15), and in the meantime, Dimension Films keeps fans happy with the occasional updated trailer and now two new stills which you can view below. Emma Roberts and Ghostface share the Stage in photo 1, while Courteney Cox and David Arquette are showcased in the other one. SCREAM 4 is directed by Wes Craven from a script by original SCREAM writer Kevin Williamson. CLICK HERE for more SCREAM 4 news and interviews CLICK HERE for an interview with SCREAM 4 star LUCY HALE CLICK […]Read On »


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TV review: BEING HUMAN – Season 1 – “There Goes the Neighborhood Part 2”

By RACHEL REITSLEFF
Sam Huntington Sam Witwer, Meaghan Rath in BEING HUMAN - Season 1 - "There Goes the Neighborhood Part 2" | &Copy 2011 Syfy/Philipe Bosse

The second episode of the Syfy Channel U.S. adaptation of the BBC’s BEING HUMAN, “There Goes the Neighborhood Part 2,” picks up where “Part 1” ended, with about-to-transform werewolf Josh (Sam Huntington) locked in a basement with his perplexed sister Emily (Alison Louder), while vampire Aidan (Sam Witwer) is distracted by a willing blood donor.


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Exclusive Interview: Lucy Hale chats the return of PRETTY LITTLE LIARS and SCRE4M

By ABBIE BERNSTEIN 01/24/2011
Lucy Hale in PRETTY LITTLE LIARS | &Copy 2010 ABC Family/Andrew Eccles

Sara Shepard’s young adult book series PRETTY LITTLE LIARS, about a quartet of high-school best friends enmeshed in some extremely heavy secrets, has been turned into a huge hit of a television series on ABC Family Channel which continues the second half of Season 1 tonight. Lucy Hale (a veteran of the 2007 remake of THE BIONIC WOMAN, in which she portrayed Jaime Sommers’ younger sister), is one of LIARS’ four leads, plays Aria Montgomery, a character whose unorthodox ways extend to having a romance with one of her high school teachers. Hale talks about the show’s impact, her character […]Read On »


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Exclusive Interview: PIERS MORGAN TONIGHT goes live

By CARL CORTEZ
Piers Morgan hosts PIERS MORGAN TONIGHT | &Copy 2011 CNN

Now that PIERS MORGAN TONIGHT has premiered on CNN with its first week of big interview gets (Oprah Winfrey, Howard Stern, Ricky Gervais), the nightly weekday series hosted by Piers Morgan, will now have a chance to settle into its format and find its ultimate direction and focus in the weeks (and months) to come. During CNN’s Television Critic sessions earlier this month, ASSIGNMENT X was able to get a few exclusive minutes with the charismatic British personality (right before the show debuted) to find out where he feels the news series will be heading and what he hopes to […]Read On »


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TV Review: FRINGE – SEASON 3 – “The Firefly”

By EMERSON PARKER
Christopher Lloyd in FRINGE - Season 3 - "The Firefly" | ©2011 Fox Broadcasting Co./Liane Hentscher

The fall finale of FRINGE, left much to be desired. Instead of going out with a bang and giving us a blockbuster way to remember the show leading up to the return, we got a rather mundane episode where the ultimate bottom line was Olivia (Anna Torv) ending her relationship with Peter (Joshua Jackson).


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TV Review: SPARTACUS: GODS OF THE ARENA – “Past Transgressions”

By SEAN ELLIOTT
Dustin Clare in SPARTACUS: GODS OF THE ARENA - Season 1 - "Past Transgressions" | &copy 2011 Starz

The finale of SPARTACUS: BLOOD AND SAND was a vengeance filled slash fest, where characters you loved to hate or hated to love were dispatched by Spartacus and his gladiator army with a fervor seldom seen in even horror movies. When the dust settles pretty much everyone in the House of Batiatus is dead or dying (though we do know now that Lucy Lawless will be returning as Lucretia next season).


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TV Review: PRIMEVAL – Season 4 – “Episode Four”

By ARNOLD T. BLUMBERG
Ruth Kearney in PRIMEVAL - Season 4 | ©2010 Impossible Pictures

Most of the ARC team is dispatched to handle a herd of venomous, hybrid reptile/mammals invading McKinnon school, a mission complicated by the presence of several annoying students kept after hours in an amateur reenactment of THE BREAKFAST CLUB. There’s a stuck-up girl (Lauren Coe) with an attitude that just begs to be taken down a peg via the tender attentions of a therocephalian, and two geeky boys (Patrick Gibson, Ciaran Flynn) that might have merited some sympathy if they didn’t try to humiliate the girl by uploading her personal phone videos to the school’s CCTV system. But it’s all academic (heh) since the school is now a battleground.


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CD Review: THE LIVING DEAD AT THE MANCHESTER MORGUE / HORROR EXPRESS soundtrack

By DANIEL SCHWEIGER
Living Dead At the Manchester Morgue (c) 2010 Quartet Records

That isn’t to say that Spanish horror scores from that period were any less terrifying, or funky, as Spain-based Quartet Records is proving with such releases as Waldo de los Rios’ ISLAND OF THE DAMNED and Fernando Garcia Morcillo’s HOWLING OF THE DEVIL. But perhaps none of their soundtracks has a more unique origin than Giluliano Sorgini’s THE LIVING DEAD AT THE MANCHESTER MORGUE.


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CD Review: THE HOUSE BY THE CEMETERY soundtrack

By DANIEL SCHWEIGER
House By the Cemetary (c) 2010 Beat Records

Where POLTERGEIST stands as a landmark in how mostly traditional instruments and orchestrations could be used to create an unearthly tone, rock-centric music certainly wasn’t a slouch at digging into those same fear centers, perhaps with even more chilling results. It’s likely no band did it better than Goblin, an Italian group that turned the progressive vibe pioneered by the likes of Pink Floyd and Zeppelin to far darker ends, using acid builds of electronics, strumming guitars and wailing voices to become escalating webs of fear, the big solo usually accompanying some unlucky woman’s evisceration in such classic scores as DEEP RED and SUSPIRIA.


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CD Review: POLTERGEIST Special Edition (10,000 Edition) soundtrack

By DANIEL SCHWEIGER
Poltergeist (c) 2010 Film Score Monthly

Certainly one of the loudest, and most exciting horror scores belongs inside the television set of the Freeling family, as installed by Jerry Goldsmith. Though a master of just about every movie genre, horror had provided a creatively malefic voice for Goldsmith. He’d marry Bartok-esque impressionism and old scratch violins for THE MEPHISTO WALTZ, blow on MAGIC’s unbalanced harmonicas and win his only Oscar for chanting THE OMEN’s black mass.


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