Search Results for: horror soundtracks

CD review: LORD OF ILLUSIONS (1,200 edition) soundtrack

LORD OF ILLUSIONS soundtrack | ©2011 Perseverance Records

Having done standout, and distinctly offbeat synth-centric work for such twisted auteurs as Dario Argento (PHENOMENA), Alejandro Jodorowsky (SANTA SANGRE) and Richard Stanley (DUST DEVIL), Simon Boswell would ironically compose one of his most symphonically straightforward horror scores for Clive Barker’s unnerving, oddball take on Chris Angel, as ruled over by a Manson Family-esque demigod. With the English composer given a new Hollywood presence at the time of LORD’s 1995 release (a year that almost marked his noteworthy, if more rhythmically fun studio score to HACKERS), Boswell showed he could certainly bend the traditional orchestral tableau to his warped desired, […]Read On »


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CD Review: DREAM HOUSE soundtrack

DREAM HOUSE soundtrack | ©2011 Varese Sarabande Records

It’s been a while since John Debney got to score a body count thriller after the savage likes of I KNOW WHAT YOU DID LAST SUMMER, END OF DAYS and THE RELIC, as well as the more beatific spirit of the underrated DRAGONFLY. Now as he enters a DREAM HOUSE that holds the spirits of a murdered family, Debney’s ghost leads with both the heart and raised hair follicles. It’s a nicely measured approach whose musical flooring ranges from the spiritual to the foreboding. Sorrowful violins, girls’ voices, and plaintive themes all make for a nicely melodic visitation, with even […]Read On »


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CD Review: THE DEVIL’S DOUBLE soundtrack

THE DEVIL'S DOUBLE soundtrack | ©2011 Lakeshore Records

Uday Hussein has a rocking good time ravaging Iraq under dad’s carte blanche, not to mention the protection of a hapless look-a-like. It’s a musically mesmerizing balance between the fruits of evil, and an onlooker’s moral anguish, two tones merged into one beast for this killer alt. bio score by Christian Henson. Just when you think you’ve heard it all in the sinister soundtrack land of Middle East-meets-west rhythms, THE DEVIL’S DOUBLE arrives to kick the genre in the ass as its antagonist does far worse things to his people. Not only does it help that Henson was a programmer […]Read On »


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CD Review: VIENTO EN CONTRA soundtrack

VIENTO EN CONTRA soundtrack | ©2011 Movie Score Media

Alfons Conde, a Spanish composer better known among horror fans for the Movie Score Media releases of his utterly sinister soundtracks to THE ABANDONED, THE DARK HOUR and NO-DO finally gets the opportunity to score a film where a woman gets to fight back against evil odds. In the case of MSM’s VIENTO EN CONTRA (AGAINST THE WIND), it’s a female executive who’s set up for a murder, and has to become a fugitive with her kid in tow. As with a heroine’s dead aim that seems to come out of nowhere in a film like this, Conde plugs us […]Read On »


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CD Review: BEING HUMAN soundtrack

BEING HUMAN soundtrack | ©2011 Silva Screen Records

For this horror take on THREE’S COMPANY, a ghost, a vampire and a werewolf try their hand at co-habitation with results that would have made mincemeat out of Mr. Roper in the BBC series BEING HUMAN. Yet composer Richard Wells (EVIL ALIENS, THE MUTANT CHRONICLES) music goes a long way towards aurally convincing us of BBC’s oddball high concept, taking a straight-laced approach to this series’ growing supernatural friendship in Series 1 & 2, while also giving its ties that bind a particular mournfulness that comes with being undead. The cues within offer visceral shocks and eerie abstractness, while a […]Read On »


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CD Review: PARASOMNIA soundtrack

PARASOMNIA soundtrack | © 2011 Buysoundtrax

Director William Malone gave the somnambulist thrills of THE CABINET OF DR. CALIGARI a slasher spin for his horror flick PARASOMNIA, his imagination especially inspired for its German expressionist dream sequences. But perhaps PARASOMNIA’s most bizarrely remarkable contribution is its surrealistic score by Nicholas Pike, who’s previously conjured musical nightmares for SLEEPWALKERS, THE PEOPLE UNDER THE STAIRS and LOVE OBJECT (let alone BUD THE CHUD). His own partnership with Malone has been no les fearfully fruitful with credits including FREDDY’S NIGHTMARES, TALES FROM THE CRYPT, MASTERS OF HORROR and FEARdotCOM– a score whose nerve-jangling creepiness stands as a piker when […]Read On »


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CD review: BLACK DEVIL DOLL original soundtrack

BLACK DEVIL DOLL soundtrack | ©2011 Rotten Cotton

It’s one thing to take off old school musical exploitation, but it’s another to actually get the groove down to the point where you think you’ve just stumbled upon some beat-up soundtrack LP found under the seat of a filth-encrusted grindhouse theater, circa 1975 Times Square. While Adrian Young perfectly nailed this Blaxploitation vibe for BLACK DYNAMITE, Giallos Flame’s score for the infinitely more sordid BLACK DEVIL DOLL goes way beyond the Afro rhythms to completely nail the sound of Italo horror. Of course, with a name like that, or a credit list that includes MURDER SET-PIECES, PSYCHO HOLOCAUST and […]Read On »


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CD Review: THE X-FILES: VOLUME ONE soundtrack (3,000 limited edition)

THE X-FILES: VOLUME ONE Soundtrack | ©2011 La La Land Records

The term “whistling in the dark” took on a whole new meaning when Mark Snow’s cheerfully sinister main title theme first announced agents Mulder and Scully on the Fox channel in 1993. With its telltale vocalizations abetted by undulating, eerie percussion, Snow’s Emmy-nominated main title joined STAR TREK, LOST IN SPACE and THE BRADY BUNCH as one of the most instantly identifiable themes in television history. As the FILES’ premise upped the supernatural disbeliever premise of THE NIGHT STALKER (not to mention PROJECT U.F.O) by several, terrifying notches, Snow’s doom-ridden atmospheres was essential to making us believe over the course […]Read On »


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CD Review: SCREAM: THE DELUXE EDITION soundtrack (2,000 limited edition)

SCREAM soundtrack | ©2011 Varese Sarabande Records

Sure horror scores before 1996 raised their voice more than occasionally. But it took Marco Beltrami to send the genre into a true fugue state with the cacophony of SCREAM’s outrageous symphonic kills, creating a whole new impactful sound for slashers and demons alike, not to mention setting the thematic template for three more franchise scores to come. Music fans with subtler tastes might chide SCREAM for being over the top. Yet that was exactly the right tone for writer Kevin Smith’s satiric takedown of the genre. Though he himself might not have been into a horror geek like SCREAM’s […]Read On »


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CD Review: ZOMBI 2 / A CAT IN THE BRAIN soundtrack

ZOMBI 2 / A CAT IN THE BRAIN soundtrack | ©2011 Beat Records

Where rock fans stateside were grooving the progressive rock of groups like Emerson, Lake and Palmer, Italian horror auteurs were using the guitar and synth vibes for far bloodier ends. And if Dario Argento was linked at the hip to the rhythmic murder operas of Goblin in DEEP RED, SUSPIRIA and DAWN OF THE DEAD, than the infinitely gorier Lucio Fulci was joined in the intestine to the creepily mod sound of Fabio Frizzi for such infamously stylish splatterfests like THE BEYOND, CITY OF THE LIVING DEAD and MANHATTAN BABY. Now Beat Records has paired Frizzi’s scores from two movies […]Read On »


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