Rating: PG-13
Stars: Dayo Okeniyi, Ben Robson, James Cromwell, Bruce Dern, Kat Graham, Naturi Naughton, M.C. Gainey, Mykelti Williamson, Keean Johnson, Patrick Roper, Harry Lennix
Writers: Mark Amin & Pat Charles, story by Mark Amin
Director: Mark Amin
Distributor: Universal Pictures
Release Date: August 18, 2020
EMPEROR is based on the life of real-life pre-Civil War figure Shields Green, played here by Dayo Okeniyi. Green was one of the men who fought beside abolitionist John Brown (James Cromwell) in the 1859 raid on Harpers Ferry in Virginia. While the raid itself did not get the desired result – enslaved Black Americans did not rise up en masse in rebellion – it helped set the stage for the election of President Abraham Lincoln and the U.S. Civil War.
EMPEROR starts with the beginning of the raid, then flashes back to when Green is still in slavery on a Charleston plantation. When he’s a little boy, Green’s mother tells him that he is descended from African royalty, hence the nickname “Emperor,” which sticks.
When Green has a wife (Naturi Naughton) and young son Tommy (Trayce Malachi) of his own, things change for the worse. New plantation owner Randolph Stevens (M.C. Gainey) puts his horrendous overseer Hank (Patrick Roper) in charge. Green tolerates beaten burned for Hank’s mistakes, but when Hank beats Tommy for reading, it’s more than Green can bear.
Shortly thereafter, several men are dead and Green is on the run through the South with a bounty on his head. Amoral but skilled tracker Luke McCabe (Ben Robson) is determined to collect the unusually large reward money.
There is a point where EMPEROR definitely parts company with the historical record. It’s easy enough to look up online what actually happened to Shields Green. Director Mark Amin, who crafted the film’s story and wrote the screenplay with Pat Charles, has something else in mind.
What we get is an adventure story with some significant observations about slavery that are germane to what’s happening, if sometimes a bit speech. The feel is like a Western, if Westerns took place largely in green forests instead of prairies and valleys.
Amin and Company do get to the conflict within the abolitionist movement over tactics and the potential risks and rewards over the attack on Harpers Ferry. With Cromwell giving one of the more dignified and sane portrayals of John Brown committed to film, and Harry Lennix as a sage Frederick Douglass, we can’t help but be drawn in, and we understand how Green can’t help it, either.
However, the road to Harpers Ferry is very episodic. Green is an active, charismatic figure as played by Okeniyi, and we’re firmly on his side. His varied encounters with people, Black and white, treacherous and helpful, are never dull. On the other hand, they could happen in any order or be replaced with other incidents entirely, and the outcome would still be the same once Green is pointed toward the raiders.
EMPEROR is diverting, and it illustrates why slavery was an abominable, intolerable institution. It just feels like there’s unresolved tension between the weight of its message and the conventional action film that it is at heart.
The home video release has descriptive service for the visually impaired, as well as captioning for the hearing impaired.
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