CD Review: ANOTHER EARTH original soundtrack
Nothing says “sci fi” like the bleeping weirdness of electronics, whether it’s Louis and Bebe Baron’s bizarre, futuristic frequencies in FORBIDDEN PLANET, the pulsing, eerie sterility that Gil Melle brought to THE ANDROMEDA STRAIN, or the sinister, metallically grinding synths that Brad Fiedel constructed THE TERMINATOR’s killer robot with. With the dance vibes of rave and hip-hop finding their way into film scoring, courtesy of such performers-turned-composers as B.T. (GO) and The Chemical Brothers (HANNA), let alone Trent Reznor and Atticus Ross’ Oscar win for THE SOCIAL NETWORK, electro sci-fi scoring has somehow become a warmer, more energetic place, if […]Read On »