Music

CD Review: SHAFT soundtrack

By DANIEL SCHWEIGER 05/22/2015
SHAFT soundtrack | ©2014 La La Land Records

Honkeys had their gun slinging, women-bedding superhero named James Bond for years until a 1971 sex machine named John Shaft showed that a black private dick could be just as bad-ass, especially when it came to an urban action-funk groove that got Isaac Hayes an Oscar winning song and nominated score. So perhaps it was a little ironic that a “white bloke from Luton” who’d been busy scoring 007 would land the music gig for John Singleton’s 2000 reboot, giving Sam Jackson a tailor-made vehicle to cement him as a big screen mofo. But even given Arnold’s urban pedigree that […]Read On »


COMMENTS (0)

Interview: Composer Geoff Zanneli helps pulls off a shagedlically artistocract art heist with MORTDECAI

By DANIEL SCHWEIGER 05/17/2015
MORTDECAI | ©2015 Lionsgate

  There’s no doubt that the O.G. masters of movie score Shagadelia knew they were being funny back in the ultra-60s day when Burt Bacharach had various James Bonds bouncing to the Tijuana Brass, or Charles Fox and Bob Crewe were disrobing Barbarella from her space suit to the strains of a female chorus and a funk guitar. Now with the groovy one-two punch of George S. Clinton and David Holmes making already-hip retro rhythms cool again for Austin Powers’ wacky spy jazz and the rocking organ-guitar grooves of twelve con artists pulling a big Vegas rip-off, everything old is […]Read On »


COMMENTS (0)

CD Review: ELMER BERNSTEIN: THE WILD SIDE soundtrack

By DANIEL SCHWEIGER 04/15/2015
ELMER BERNSTEIN: THE WILD SIDE soundtrack | ©2015 Varese Sarabande Records

No composer embodied the pure movie swing of jazz during the art form’s mainlining into much of film scoring during the 50s and 60s like Elmer Bernstein. From the hot sax heroin rush that flooded into Frankie Machine’s veins in THE MAN WITH THE GOLDEN ARM to the lustful brass catfight of WALK ON THE WILD SIDE or the salacious gossip beat that stank of  THE SWEET SMELL OF SUCCESS, Bernstein tapped into the energetic transgressiveness of music that promised a rawness that the Hayes Code-enforced movies could only hint at. So it’s only natural that Varese head Robert Townson […]Read On »


COMMENTS (0)

CD Review: 1864 and ALLIES soundtracks

By DANIEL SCHWEIGER 04/14/2015
ALLIES soundtrack | ©2015 Movie Score Media

Movie Score Media’s quality releases continue to be not only a major source for discovering new composers whose attendant projects barely hit U.S. shores, but also a great way to hear relatively obscure foreign soundtracks done by sometimes eminent American musicians – in both notable cases here performed in the key of war. Early on in Marco Beltrami’s career, the composer wrote one of his most interesting psycho-killer scores for a deranged female cellist, albeit in the guise of a period costume drama for Norwegian director Ole Bornedal’s 2002 thriller I AM DINA. Now Beltrami reteams with him for a […]Read On »


COMMENTS (0)

A MOST VIOLENT YEAR: Composer Alex Ebert’s music doesn’t want to kill – Interview

By DANIEL SCHWEIGER
A MOST VIOLENT YEAR soundtrack | ©2014 Community Music

A MOST VIOLENT YEAR (which just arrived on DVD and Blu-ray) might just be one of the most ironically misleading titles yet for a provocatively named film. For nothing in J.C. Chandor’s movie is what it appears to be, from the cargo heists endangering the heating fuel empire dreams of Abel Morales (Oscar Isaac in quietly burning Michael Corleone mode) to the insanely pacifist way in which he chooses to meet the thuggery that gets very close to home. But for all of the gritty photography, family business machinations and razor-sharp salty language that Chandor brings together to create a […]Read On »


COMMENTS (0)

CD Review: ANGRY VIDEO GAME NERD: THE MOVIE soundtrack

By DANIEL SCHWEIGER 01/03/2015
ANGRY VIDEO GAME NERD: THE MOVIE soundtrack | ©2014 Sparks & Shadows

Film scores are going through an 8-bit revolution with the likes of Nigel Gordich’s SCOTT PILGRIM VS. THE WORLD and Henry Jackman’s WRECK-IT RALPH. But arguably non of these retro scores have the insane fanboy enthusiasm that Bear McCreary beings to a two-hour feature version of a game geek blog done good. Done with the same, blasting out of your parents’ basement energy of his epic metal-orchestral score for the RPG’er’s versus real monster score to KNIGHTS OF BADASSDOM, McCreary plays this unlikely hero’s odyssey of uncovering the equally deadly E.T. game from an Arizona landfill with the same level […]Read On »


COMMENTS (0)

CD Review: BATES MOTEL and PENNY DREADFUL soundtracks

By DANIEL SCHWEIGER 01/02/2015
PENNY DREADFUL soundtrack | ©2014 Varese Sarabande Records

Two cable hits have been busy re-inventing everyone’s favorite Mama’s boy and band of Edwardian monster hunters. But leave it to Chris Bacon and Abel Korzeniowski to make these often horrific exploits go down with orchestral elegance. For Bacon, it’s realizing that melodic empathy is the room key to loving Norman Bates as much as his mom, tenderness that suffuses his often beautiful, lush score to BATES MOTEL. Yet the spirit of Bernard Herrmann certainly inhabits this abode, not in stormily gothic (or stabbing) violins, but in BATES‘ long, drifting string lines and sympathetic piano. While there’s effectively uptempo percussion, […]Read On »


COMMENTS (0)

CD Review: THUNDERBIRDS ARE GO and THUNDERBIRD 6 soundtrack

By DANIEL SCHWEIGER 01/01/2015
THUNDERBIRDS ARE GO and THUNDERBIRD 6 soundtrack | ©2014 La La Land Records

Gerry and Sylvia Anderson’s marionette-centric genre shows like JOE 90 and SUPERCAR might have seemed like charmingly ingenious kids’ stuff in other people’s wire-holding hands. Yet it was the couples’ joyful, uncondescending commitment to their literally wooden characters, and ingeniously designed models that made them truly come to flesh and blood life, especially by filling them with the robustly symphonic scores of Barry Gray. Their imaginations truly took off to become the toast of England, and the TV-watching world with their series THE THUNDERBIRDS, which had the Tracy family and their International Rescue roster of rocketships coming to the near-future’s […]Read On »


COMMENTS (0)

The Year in Review: The Best Scores of 2014 – The Runner Ups and Composers To Watch

By DANIEL SCHWEIGER 12/31/2014

THE BEST SCORES OF 2014 – The Runner Up’s and Composers To Watch BIG BAD WOLVES  (Frank Ilfman / Movie Score Media) Stop me if you’ve heard the same cinematic tune about a perceived miscreant tied into a chair for all manner of mental, and physical torture to be performed upon him. Thankfully, the Israeli breakout film BIG BAD WOLVES whistles the genre song with smashing black-humored suspense, as captured with a thunderous score by Frank Ilfman, who twists a thrillingly mean symphonic knife as he relentlessly veers between frantic action and sly, Herrmann-esque strings as a set-up for ironic, […]Read On »


COMMENTS (0)

CD Review: BLOW OUT soundtrack

By DANIEL SCHWEIGER
BLOW OUT soundtrack | ©2014 Intrada Records

After CARRIE and DRESSED TO KILL, DePalma and Donaggio were at the top of their ersatz Hitchcock-Herrmann game when they took a nihilistic detour into the paranoia-conspiracy territory that fueled such similarly bleak classics as THE PARALLAX VIEW and THE CONVERSATION. But while there was nothing remotely “meta” about those movies’ dark approach, the thrill of any collaboration between this director and composer was in seeing, and hearing just how close their homages could get to the originals and survive, while still being dazzlingly stylish in their own right. On that count, BLOW OUT is a terrific example of being […]Read On »


COMMENTS (0)
  1. Pages:
  3. 1
  4. ...
  5. 6
  6. 7
  7. 8
  8. 9
  9. 10
  10. 11
  11. 12
  12. ...
  13. 71
Increase your website traffic with Attracta.com

Dr.5z5 Open Feed Directory

bottom round