Soundtracks

CD Review: DEAD RINGERS, NAKED LUNCH and CRASH soundtracks

By DANIEL SCHWEIGER 12/15/2014
DEAD RINGERS soundtrack | ©2014 HOWE Records

Howard Shore made his musical bones on the body horror of director David Cronenberg, a match particularly made in visceral-intellectual heaven with DEAD RINGERS, NAKED LUNCH and CRASH, three scores that show the chilling diversity in what’s arguably the most rewardingly unhinged (and ongoing) collaboration between two creepily-minded auteurs of this dark side of Bernard Herrmann and Alfred Hitchcock. Now Shore gives this twisted trio a collector’s edition re-mastering, made complete with additional music that truly brings out his music’s mesmerizing power. 1988s DEAD RINGERS marked Shore’s fourth collaboration with Cronenberg for the most realistically disturbing movie the director had […]Read On »


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CD Review: MISTER MOSES soundtrack

By DANIEL SCHWEIGER 12/14/2014
MISTER MOSES soundtrack | ©2014 Prometheus Records

After doing numerous re-performances of John Barry’s work through the years with LION IN THE WINTER, ROBIN AND MARIAN and an especially spectacular resurrection from the deep of RAISE THE TITANIC, the team of producer James Fitzpatrick, conductor Nic Raine and the now-stellar performers of The City of Prague Philharmonic take another trek with the composer’s sprit into what’s arguably his most successful continent. But where the themes for his furious jungle drumming, sweeping romance and brassy adventure of  ZULU and his Oscar-winning scores to BORN FREE and OUT OF AFRICA can be recalled by audiences the world over, 1965s […]Read On »


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CD Review: BAD MILO soundtrack

By DANIEL SCHWEIGER 12/13/2014
BAD MILO soundtrack | ©2014 Movie Score Media

Ted Masur is an ass clown in the truest sense of the world with a memorable physical soundtrack debut that poops out his delightfully twisted score for BAD MILO about a monster that emerges from a nebbish’s butt to unleash hell on his master’s tormentors. Packed with devilish fury and eccentricity to spare, Masur’s music is a clever delight as it not only goes rampaging about in Elfman-esque fashion, but channels horror-indie energy into a uniquely comic sound that would be perfect for some Mike Judge movie down the line. There’s lunacy to spare in the off-kilter clocks of a […]Read On »


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CD Review: LA BUCA soundtrack

By DANIEL SCHWEIGER 12/12/2014
LA BUCA soundtrack | ©2014 Quartet Records

Fans of Pino Donaggio can only visualize Brian De Palma’s frequent suspense music consigliore holding up a butcher knife composed of lush orchestrations for such scores as CARRIE, BLOW OUT and BODY DOUBLE given his work that hits stateside. Undoubtedly, they’ll get a big musical shock if they hear how he’s equally adept at handling the styles of George Gershwin and Stephan Grappelli with the finesse he usually gives to Bernard Herrmann. The latter two are the jazzy partners in musical crime for this Italian comedy that finds a shady lawyer using hook and crook to reverse the record of […]Read On »


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CD Review: DRACULA UNTOLD soundtrack

By DANIEL SCHWEIGER 12/11/2014
DRACULA UNTOLD soundtrack | ©2014 +180 Records

Between the sword and sorcery that helps seat the GAME OF THRONES to the tongue-sucking plague brought on by THE STRAIN, Ramin Djawadi has been having a hell of a time giving eerily adventurous production value to genre TV. Now with DRACULA UNTOLD, Djawadi gets to unleash a truly epic supernatural score that bat wings its way to the top of his work. Vlad the Impaler gets his most emotionally vulnerable treatment a la that other not-so villainous revisionist movie MALEFICENT the horror springing from the character’s humanity. Djawadi powerfully responds by giving Dracula a memorably bold, darkly heroic theme […]Read On »


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CD Review: THE HERO OF COLOR CITY and NINJAGO soundtracks

By DANIEL SCHWEIGER 12/10/2014
THE HERO OF COLOR CITY soundtrack | ©2014 Varese Sarabande Records

Varese Sarabande continues to diversify to different audiences, in these two cases musically appealing to the younger set. The wee ones, particularly children with a thing for crayons, should enjoy repeated listening to THE HERO OF COLOR CITY. There’s a sweet, gentle enjoyment they’ll find in the songs and score by ex Ziggy Marley drummer Angel Roché Jr and Zoë Poledouris-Roché, who helped her dad Basil cook up an especially important theme for the way-more adult CONAN THE BARBARIAN back in her younger days. Tunes like “Color the World” and “Heave Ho” have cleverly rhyming lyrics and catchy melodies perfect […]Read On »


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CD Review: OUR MAN FLINT and IN LIKE FLINT soundtracks

By DANIEL SCHWEIGER 12/08/2014
OUR MAN FLINT and IN LIKE FLINT soundtrack | ©2014 Intrada Records

In the ying-yang universe of deserved film score karma, Jerry Goldsmith might have ended up with flying with SUPERGIRL instead of SUPERMAN, or battling a SWARM of killer bees as opposed to climbing THE TOWERING INFERNO. But that never meant that Goldsmith didn’t give his musical all to some truly wacky wannabes, especially when it came to putting on a lady killing outfit for America’s Z.O.W.I.E. agent Derek Flint (as opposed to musically tailoring that certain other British spy). But as 60s-jazz as John Barry might have gotten with Her Majesty’s Secret Service, one couldn’t imagine that composer scaling the […]Read On »


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CD Review: JOHN WICK soundtrack

By DANIEL SCHWEIGER 12/06/2014
JOHN WICK soundtrack | ©2014 Varese Sarabande Records

Any Russian mobster who watched THE MATRIX would know better than to mess with Keanu Reeves. Fortunately as THE EQUALIZER reboot recently proved, these enduring villains du jour don’t seem to watch a whole bunch of familiar former hit-man movies. And their latest f-up of killing a bad ass’ puppy gives DEVILS REJECTS Tyler Bates, BEYOND THE MAT‘s Joel J. Richard and an assist by Dyland Eiland (i.e. the DJ known as Castle Vania) carte blanche to get some rocking payback. Starting off with some slow-burn ambience to get across “John Wicks” retired killer street cred, Bates, Richard and Eiland […]Read On »


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CD Review: ANONYMOUS REJECTED FILM SCORE soundtrack

By DANIEL SCHWEIGER 12/04/2014
ANONYMOUS REJECTED FILM SCORE soundtrack | ©2014 Taped Noise

Many composers have re-purposed scores that either were tossed because they simply were too smart for the movie they were intended for, frankly didn’t work with the picture or became the victim of studio politics that shelved the scores for spite. But whatever the reason the music didn’t see the official light of day, that doesn’t mean it isn’t worthy of release on its own, whether it’s John Corigliano turning EDGE OF DARKNESS into “Music from the Edge” (on Perseverance), Jerry Goldsmith transforming the main electronic melody from his blackballed ALIEN NATION way down to earth as the jazz love […]Read On »


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CD Review: THE DOLL SQUAD and JUVENILE JIVE soundtracks

By DANIEL SCHWEIGER 12/03/2014
JUVENILE JIVE soundtrack | ©2014 Monstrous Movie Music

After starting out with Grade-A re-performances for the energetic scores that graced such wonderful B- genre features as THE DEADLY MANTIS and DAY OF THE TRIFFIDS, David Schechter’s label Monstrous Movie Music has segued to releasing the actual soundtracks for even loonier sci-fi movies like KRONOS and MISSILE TO THE MOON, with some decidedly non-creature filled detours into westerns and prestige Ernest Gold scores in the bargain But for all of their sporadic and increasingly eccentric titles so far (whose latest batch includes a herd of deliriously scored oaters with THE GATLING GUN and a “Western Medley” collection), it’s a […]Read On »


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