WHIPLASH composers Justin Hurwitz and Tim Simonec keep a mean jazz beat – Interview
In a cinema where wannabe musicians have their aspirations lifted through the very mild tribulations of crotchety, yet ultimately humane instructors, filmmaker Damien Chazelle’s WHIPLASH is FIGHT CLUB as opposed to FAME – the equivalent of a cymbal in the face, or a shower of blood splashed across a drum kit. While young percussion prodigy Andrew Neyman (Miles Teller) gets out of the way of the first abuse-bomb, he’ll have plenty of blood, sweat and tears to give in his sadistic servant-master relationship to his instructor Terence Fletcher, a jazz drill sergeant who makes the scream-swear martinet in FULL METAL […]Read On »