Soundtracks

CD Review: MEGAFORCE soundtrack

MEGAFORCE Soundtrack | ©2011 Buysoundtrax

Sure there’s THE ROCKY HORROR PICTURE SHOW, but Barry Bostwick’s most outrageous exercise in retro-camp might just be 1982’s MEGAFORCE, a proto-G.I. JOE exercise in souped-up spandex do-gooding, blessed with extra oh-so ’80’s musical oomph by composer Jerrold Immel. Immel had the macho sound of TV scoring down with the likes of HARRY O and POLICE WOMAN when America’s first line of motorized defense came knocking at his studio in the tight-fitted form of Bostwick as “Ace” Hunter. Immel rose to the not-too-serious challenge with the rocking synth pads that any connoisseur of the decade’s action cheese would dig- “dated” […]Read On »


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CD Review: JANE EYRE soundtrack

JANE EYRE soundtrack | ©2011 Sony

Such composers as Bernard Herrmann, John Williams and Richard Harvey have dared to see what lies hidden in the stone walls of Edward Rochester’s keep in the twenty and counting EYRE adaptations that have been done for film and television over the last ninety or so years. Now it’s Dario Marianelli’s turn to light the candle and venture through the dauntingly gloomy halls and wind-swept moors in this beautifully done, if somewhat still-life production that takes a more realistic approach to Charlotte Bronte’s now-eternal 1847 story of female oppression and empowerment. With the shining light radiating from Marianelli’s Oscar for […]Read On »


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CD Review: SUCKER PUNCH soundtrack

Sucker Punch soundtrack | © 2011 WaterTower Music

Music has always been a driving force for Zack Snyder’s gloriously insane, slo-mo’d visual style and now it’s a fabulous female fighting force of the mind that transforms a standard collection of pop-rock-alt. hits into something as gloriously insane, and powerful as a giant sword-swinging samurai. It’s doubtful if the Eurythmics, Bjork, Grace Slick or The Beatles could imagine any slight cobwebs on their work being dunked into a blazingly cool remix firebath. What emerges from the transformed likes of “Sweet Dreams (Are Made of This),” “Army of Me” and “White Rabbit” are mini rock operas with a new, electrifying […]Read On »


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CD Review: RANGO Original Soundtrack

Rango soundtrack | ©2011 Anti Records

After scoring 2-D critters in the African savannah, under the sea and bounding about the tropics of Madagascar, Hans Zimmer takes a three dimensional trip South of the Border to come up with his most delightfully hip soundtrack yet for funny animals- in this case the pistol packing cold bloods and carrion who inhabit the range of RANGO. Applying the same in-your-face zest that gave a major shot of new musical life to the warhorse of SHERLOCK HOLMES, Zimmer has his way with the old west’s movie music clichés, infusing the shoot-out trumpets, electric guitars, player pianos and every other […]Read On »


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CD Review: THE WAY BACK

THE WAY BACK soundtrack | ©2011 Varese Sarabande Records

It’s been a twelve-year trek for Burkhard Dallwitz to re-unite with director Peter Weir since THE TRUMAN SHOW. And while Dallwitz certainly didn’t undergo the trans-continental travails of THE WAY BACK, the stirring empathy that he gives to his second, and long overdue collaboration with Weir certainly pays tribute to the need for freedom, one that drove the film’s characters from Siberia to India. As the soundtrack starts out with an eerie mix between dark orchestral sustains, gnarled chords, subdued ethnic percussion and an overall aura of unknowable doom, you might think you’re listening to a soundtrack about Gulag escapees […]Read On »


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CD Review: LITTLE FOCKERS soundtrack

It’s not easy to follow in the footsteps of Randy Newman, even for Randy Newman, given the diminishing returns of the sequels to the undeniably great MEET THE PARENTS. And while the third time isn’t a charm for the at-times amusing LITTLE FOCKERS, composer Stephen Trask certainly does his darndest to make things funny. Given his broadest comedy to score for his fourth pairing with director Paul Weitz after their clever work with IN GOOD COMPANY, AMERICAN DREAMZ and THE VAMPIRE’S ASSISTANT, Trask makes the wise choice of stepping into Randy Newman’s shoes at first. It’s a nice job of […]Read On »


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CD Review: GNOMEO AND JULIET soundtrack

Gnomeo and Juliet soundtrack | ©2011 Walt Disney Records

There might not be a kitschier combination than the pairing of garden gnomes and Elton John, or in the case of GNOMEO AND JULIET, a more unexpectedly winning one. For when you add up the soothing, soulful sound of the 70’s pop-rock icon with the orchestral bells and whistles that composer James Newton Howard is duty-bound to deliver for the plaster faerie figures, you end up with a musical confection only slightly less eccentric than the classic song mash-ups of MOULIN ROUGE– made far less maddening here by the fact that it’s only Elton John’s immortal tunes that are being […]Read On »


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CD Review: YELLOWBEARD soundtrack (1,000 edition)

YELLOWBEARD soundtrack | ©2011 Quartet Records

Composer John Morris has romped through the past with such comedically rousing scores as BLAZING SADDLES, THE LAST REMAKE OF BEAU GESTE and HISTORY OF THE WORLD: PART 1, but Morris’ symphonic lunacy truly hit its swashbuckling height with YELLOWBEARD. Even if this Python-esque pirate spoof displayed more fool’s gold than the comedic riches that Mel Brooks had provided him with, Morris still invests a terrific, glistening majesty to a score that plays like Erich Wolfgang Korngold chasing after Bugs Bunny. Anchoring this infectiously nostalgic score is a march theme that sounds like the start of Warner Bros. logo, with […]Read On »


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CD Review: STAR TREK V: THE FINAL FRONTIER – Limited Edition

STAR TREK V soundtrack | ©2010 La La Land Records

La La Land continues to show long-needed love to great soundtracks from undeservedly maligned sequels, in this case the one where William Shatner assumed both the com, and the director’s chair to have the Enterprise find the all-mighty. Though a lot of this EST-centric probing ended up having its share of goofy moments, the film more often than not did a powerful job of returning the series to its metaphoric sci-fi roots. So it only seemed right for Shatner to have composer Jerry Goldsmith come back to the series for the first time since THE MOTION PICTURE, making this FINAL […]Read On »


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CD Review: NO STRINGS ATTACHED soundtrack

No Strings Attached Score soundtrack | ©2011 Lakeshore Records

For a manly composer, John Debney has frequently been called upon to sound like a honey-haired escort, no doubt due to his talent for effortlessly conjuring the sweet, heavily-stringed romantic vibe that spells “chick flick” score at the box office. Yet Debney’s rapidly been showing the town he’s a jack-of-all-trades, especially with last year’s zanily ferocious scores to PREDATORS and MACHETE. So it’s equally no surprise that Debney can devolve his rom-com sound to the mid-20’s age of NO STRINGS ATTACHED’s likable bed-hoppers, and sound more authentically creative than ever in the genre. The same thing can be said for […]Read On »


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