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Exclusive Photos from the BURLESQUE Premiere

Cher and Christina Aguilera at the Los Angeles Premiere of BURLESQUE

On November 15, 2010, Screen Gems held the Los Angeles Premiere of BURLESQUE at the Grauman’s Chinese Theater in Hollywood, California. Walking the carpet were the stars of the film including Cher, Christina Aguilera, Eric Dane, Cam Gigandet, Julianne Hough, Peter Gallagher, Stanley Tucci, Chelsea Traille, Tyne Stecklein, Sarah Mitchell, Tanee McCall, Denise Faye (Choreographer), Donald De Line (Producer), and Steven Antin (Writer/Director). Joining the stars were guests including Kathy Griffin, Nicole Dabeau, Katharine Kramer, Matt Goss, George Hamilton and Barbara Sturm, Keltie Colleen, David Meister, Alan Siegel, Will Ferrell, Kristin Cavallari, Debi Mazar, James Marsden, Diane Warren, Chaz Bono […]Read On »


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Movie Review: THE KING’S SPEECH

THE KING'S SPEECH movie poster | ©2010 The Weinstein Company

A stressed-out man with a lifelong stammer goes to a speech therapist for help with public speaking. If this doesn’t sound like especially fertile ground for gripping drama, let’s add that the year at the start is 1934, the stammerer in question is the British Prince Albert (Colin Firth) and that his therapist is commoner Lionel Logue (Geoffrey Rush), an Australian immigrant and family man with a passion for acting that is, alas, more enthusiastic than artistic.


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Profile: BURLESQUE star Cher takes five on singing, acting and being immature

Cher in BURLESQUE | © 2010 Screen Gems

In the new dramedy musical BURLESQUE (which opens today), singer-actress Cher plays Tess, a former dancer and now owner of a failing Los Angeles burlesque lounge. When small-town Iowa gal Ali (Christina Aguilera) shows up with big dreams, Tess finally finds the secret ingredient to breathe new life into her business. Having focused more on her singing than acting over the last few years, Cher found it liberating to return back into film, as she takes five with us to discuss BURLESQUE, singing on screen and being immature. TAKE 1: On the movie being much more fun to work on […]Read On »


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AXclusive: TANGLED Animation Supervisor John Kahrs brings life to Rapunzel

Rapunzel in TANGLED | ©Disney Enterprises, Inc.

For a film based on the classic Brothers Grimm story RAPUNZEL, the end result of TANGLED (opening today) is anything but grim. Bright, cheerful and full of bright-eyed expressive characters, the Disney film’s animation supervisor John Kahrs brought a whole new look and layer to the classic Disney princess genre. More RAIDERS OF THE LOST ARK than THE LITTLE MERMAID, the film is filled with two strong leads (Rapunzel and her swashbuckling love interest Flynn Rider) and two great sidekicks (a chameleon named Pascal and a blood-hound horse named Maximus). In an exclusive interview with ASSIGNMENT X, Kahrs spoke about […]Read On »


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TV Review: GLEE – Season Two – “Furt”

Carol Burnett and Sue Sylvester in GLEE - Season Two - "Furt" | © 2010 Fox/Mike Yarish

“Furt” proves to be another very strong episode as Curt’s dad (Mike O’Malley) and Finn’s mom decide to tie the not. It becomes a growth episode for Finn (Cory Monteith) who has to man up and now realizes he can’t be an innocent bystander when Curt is being terrorized by a school bully who threatens to kill him. It’s a thoroughly touching episode, with moments that have resonance and ring very true for a change.


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Movie Review: TANGLED

TANGLED movie poster |© 2010 Walt Disney Pictures

For those jonesing for an animated Disney fairytale in the traditional style, or just a fun film that can be shared with the kids, TANGLED fills the bill. Quick, to the point and entirely enjoyable, TANGLED takes the traditional Grimm story, gives it some action and the title princess some gumption and takes off in beautiful style, looking much like the old enchanted films of yore, with 3D that brings up a couple of moving moments and is otherwise unobtrusive.


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Movie Review: LOVE AND OTHER DRUGS

LOVE AND OTHER DRUGS movie poster | © 2010 20th Century Fox

There’s a telling movie to be made about the pharmaceutical drug trade in the U.S. (and elsewhere), but LOVE AND OTHER DRUGS isn’t it. This wouldn’t be a problem if LOVE wasn’t aspiring to be that movie, while simultaneously putting romance front and center.


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CD Review: JACKBOOTS ON WHITEHALL

© 2010 Movie Score Media | Jackboots on Whitehall Soundtrack

As composer Barry Gray showed with THE THUNDERBIRDS, puppets are far more believable when the composer is playing them for real, especially with music that doesn’t have any strings attached to imbuing the marionettes and their miniature settings with epic heroism. Now with his music for the WW2 spoof JACKBOOTS ON WHITEHALL, Guy Michelmore delivers what’s probably the coolest music to grace marionettes since the days of Team Tracy. As the band of puppet brothers go against the Nazi troops who’ve invaded England, JACKBOOTS summons an explosive spirit in line with TEAM AMERICA, But where Harry Gregson-Williams did a great […]Read On »


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CD Review: IN A BETTER WORLD soundtrack

In A Better World Soundtrack | © 2010 Movie Score Media

After his innovative, haunting work on LET THE RIGHT ONE IN and MURDER FARM, Swedish composer Johan Soderqvist teams for the eighth time with BROTHERS and AFTER THE WEDDING filmmaker Susanne Bier for a family story that segues from the Sudan to Denmark. The result is another deeply affecting, eerily off-kilter score from Soderqvist that uses some of the most strikingly beautiful percussion to grace a drama since Mychael Danna’s ICE STORM. Here, the spectral, bell-glass sounds of the African Array Mbira merges the feelings of a doctor treating victims of tribal violence in a Sudanese refugee camp with the […]Read On »


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CD Review: ON A DARK AND STORMY NIGHT soundtrack

© 2010 Buysoundtrax Records | On A Dark and Stormy Night Soundtrack

In the movie ON A DARK AND STORMY NIGHT, a bunch of Halloween revelers get a very nasty tricks played to their quickly decimating numbers in this aptly titled horror film, which features an appropriately creepy score by Albanian composer Aldo Shllaku. Though he might not have a 100-piece orchestra at his command, Shllaku has obvious fun with the musical tropes of a black-humored body count. What really socks him over as a composer to not turn your back on are ferocious bursts of a pipe organ and throttling rock guitar riffs. Combine these unexpected treats with any bunch of […]Read On »


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