CD Review: AFTER THE FALL soundtrack
Marc Streitenfeld has provided muted, morally ambiguous scores before to oil workers facing off against killer wolves in THE GREY and a professional hitman wanting his pay in KILLING THEM SOFTLY, scores filled with truly interesting “ambiences” and unexpected instrumentation. But perhaps none of Streitenfeld’s experimentally minded scores of this nature hits more weirdly, or more effectively at home than AFTER THE FALL, wherein Wes Bentley’s suburban dad truly goes off the criminal rails to avoid falling into poverty after his firing. Perhaps one way to describe Streitenfeld’s unique work at its most effective here is to imagine Carl Orff […]Read On »
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