CD Review: ASSAULT ON PRECINCT 13 / DARK STAR soundtrack

By DANIEL SCHWEIGER 08/12/2012
ASSAULT ON PRECINCT 13 soundtrack | ©2012 Buysoundtrax Records

Buysoundtrax has had varied luck when re-performing cult score favorites, especially ones done with then state-of-the-art keyboards like THE BOUNTY  and LEGEND. So if you’re attempting to replicate such a distinctive sound, who better to get then a composer who helped create an unrepeatable sound in the first place? That’s the reason why Alan Howarth, the musician best know for being “in association” with John Carpenter on such genre favorites as HALLOWEEN III: SEASON OF THE WITCH and PRINCE OF DARKNESS (the real deals of which are available through Buysoundtrax’s site on Howarth’s AHI label) has had the best success […]Read On »


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CD Review: HALLOWEEN 4: THE RETURN OF MICHAEL MYERS: LIMITED EXPANDED EDITION

By DANIEL SCHWEIGER 02/25/2012
HALLOWEEN IV soundtrack | ©2011 Ahi Records

Some serial killers need a right hand knife, especially when they also happen to be the director and composer. Such was the assistance John Carpenter required after not only making HALLOWEEN. but also creating the most notorious, and toe-tapping theme in horror score history. That’s how sound designer-turned-composer Alan Howarth was brought into the series with HALLOWEEN 2 and given the “in association” credit for his teaming with Carpenter. Skillfully abetting that film’s far more visceral shocks with eerie atmospheres and relentless rhythms, the collaborators next turned to computer-generated horror for the series SEASON OF THE WITCH. However, HALLOWEEN‘s most […]Read On »


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CD Review: THE THING (1982) soundtrack

By DANIEL SCHWEIGER 10/30/2011
THE THING soundtrack | ©2011 Buysoundtrax Records

No, we’re not talking about a stillborn prequel here, but the one and only. Jack-of-all-trades filmmaker John Carpenter had served as a writer-director-composer on all of his films until his first studio production of THE THING. It was a bigger budget that allowed Carpenter to get his composing idol Ennio Morricone to provide the director with his first “real” orchestral score. That didn’t mean that Carpenter and his “in association” collaborator Alan Howarth wouldn’t give THE THING’s soundtrack more teeth by sweetening it with the icily sharp electronics that marked the auteur’s distinctive brand of horror. The result was a […]Read On »


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