The Year in Review: The Best Scores of 2014

By DANIEL SCHWEIGER 12/30/2014
Marco Beltrami and the SNOWPIERCER soundtrack | ©2014 Varese Sarabande Records

THE BEST SCORES OF 2014 AUTOMATA (Zacarias M. de la Riva / Movie Score Media) Scores like A.I. and I, ROBOT have portrayed automatons as having infinitely more soul than their human creators, a purity of electronic spirit that makes them closer to God than any flesh and blood creation. No score has religiously captured that spiritual ghost in the machine with the beautiful, beatific quality of Zacarias M. de la Riva, whose transcendent use of the chorus, and the anguished, spare strings of homo sapien despair merge for a moving requiem to the human race, while signaling the birth […]Read On »


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AUTOMATA composer Zacarias M. de la Riva finds the musical ghost in the machines – Interview

By DANIEL SCHWEIGER 11/24/2014
AUTOMATA soundtrack | ©2014 Movie Score Media Records

More than ever in science fiction, humans are being proven to inferior, doomed species in the face of the infinitely more compassionate creations they now want to destroy. It’s a message that science fiction cinema has increasingly hammered in, whether the lab-born synthetics were virtually indistinguishable from us (BLADE RUNNER, A.I., THE MACHINE) or had an artificial appearance that led us to think it was impossible for them to have a soul (“I, Robot”). But now, even the most pathetically abused, humanoid-shaped machines are given the grace of God in AUTOMATA, no more so than in the gorgeous spirituality of […]Read On »


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