Interview: Composer John Ottman enters the UNKNOWN
Among the composers who’ve been chased by international killers, engaged in murderous games of cops and robbers, or have spied on the antics of various psychopaths, John Ottman might consider himself a marked man. Making a huge splash along with film school buddy Bryan Singer as the editor and composer of 1995’s THE USUAL SUSPECTS, Ottman’s way of ratcheting the dramatic stakes up with walls of creeping, orchestra-heavy melody has led his talents to far more visceral ends in the genre with the likes of TRAPPED, CELLULAR and HIDE AND SEEK, topping off his multi-hyphenate hat as perhaps the one […]Read On »
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