Exclusive Photos: From the World Premiere of THE RITE

By SUE SCHNEIDER 01/31/2011
Anthony Hopkins at the World Premiere of THE RITE | © 2011 Sue Schneider

The World Premiere of New Line Cinema’s THE RITE was held Wednesday, January 26th at the Grauman’s Chinese Theatre in Hollywood. THE RITE is inspired by a true story and based on the book THE MODERN DAY EXORCIST by Matt Baglio. Seen walking the carpet were the stars of the film, which included: Anthony Hopkins, Colin O’Donoghue, Alice Braga, Arianna Veronesi, Torrey DeVitto, Marija Karan, Father Gary Thomas, Marta Gastini, Mikael Hafstrom (Director), Michael Petroni (Writer), and Matt Baglio (Author). Joining them were guests, which included: Charlotte Ross, Marley Shelton, Oscar Nunez, Chi McBride, Connie Britton, Carla Gugino, Carla Ortiz, […]Read On »


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Profile: Father Gary Thomas is the REAL exorcist priest behind THE RITE

By SEAN ELLIOTT 01/28/2011
Colin O'Donoghue in THE RITE | ©2011 Warner Bros.

Father Gary Thomas might find doing press for the film THE RITE, something of an odd occurrence. The Catholic priest is the basis for the book THE RITE: THE MAKING OF A MODERN EXORCIST , which is of course now a movie starring Anthony Hopkins and hits theaters today. Thomas the pastor at Sacred Heart Catholic Church in Saratoga, has his normal daily duties involving his parish and his parishioners, but when called to it, he also is one of the areas few practicing exorcist priests. Facing the Hollywood press has to be far easier than what Father Thomas deals […]Read On »


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Movie Review: THE RITE

By SEAN ELLIOTT
THE RITE movie poster | ©2011 Warner Bros.

THE RITE is actually based on the book “The Rite: The Making of a Modern Exorcist” which follows real-life Catholic exorcist priest Father Gary Thomas and illustrates various points in his journey. The movie is ‘inspired by true-events’ so there is no really conclusive way to figure out where the original story ends and the Hollywood version starts. Still, the movie is an entertaining ride of white-knuckled tension that leaves the audience waiting for something diabolical to surface in scenes where there is actually nothing to indicate a scare.


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