Movie Review: THE ROAD (2012)

The Road (2012) movie poster | ©2012 Freestyle Releasing

Rating: R Stars: Carmina Villaroel, Rhian Ramos, TJ Trinidad, Barbie Fortenza, Lexi Fernandez, Derick Monasterio, Alden Richards, Louise de los Reyes, Renz Valerio Writers: Yam Laranas and Aloy Adlawan Director: Yam Laranas Distributor: Freestyle Releasing Release Date: May 11, 2012 Director/co-writer Yam Laranas’ film THE ROAD – not to be confused with the adaptation of the Cormac McCarthy novel, starring Viggo Mortensen – has a couple of notions with possibilities. Certainly it’s beautifully filmed – Laranas also served as the cinematographer – with the consequence that the whole enterprise is very atmospheric. Atmosphere counts for a lot in the horror […]Read On »


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Exclusive Photos: From the World Premiere of THE RITE

Anthony Hopkins at the World Premiere of THE RITE | © 2011 Sue Schneider

The World Premiere of New Line Cinema’s THE RITE was held Wednesday, January 26th at the Grauman’s Chinese Theatre in Hollywood. THE RITE is inspired by a true story and based on the book THE MODERN DAY EXORCIST by Matt Baglio. Seen walking the carpet were the stars of the film, which included: Anthony Hopkins, Colin O’Donoghue, Alice Braga, Arianna Veronesi, Torrey DeVitto, Marija Karan, Father Gary Thomas, Marta Gastini, Mikael Hafstrom (Director), Michael Petroni (Writer), and Matt Baglio (Author). Joining them were guests, which included: Charlotte Ross, Marley Shelton, Oscar Nunez, Chi McBride, Connie Britton, Carla Gugino, Carla Ortiz, […]Read On »


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CD Review: THE HOUSE BY THE CEMETERY soundtrack

House By the Cemetary (c) 2010 Beat Records

Where POLTERGEIST stands as a landmark in how mostly traditional instruments and orchestrations could be used to create an unearthly tone, rock-centric music certainly wasn’t a slouch at digging into those same fear centers, perhaps with even more chilling results. It’s likely no band did it better than Goblin, an Italian group that turned the progressive vibe pioneered by the likes of Pink Floyd and Zeppelin to far darker ends, using acid builds of electronics, strumming guitars and wailing voices to become escalating webs of fear, the big solo usually accompanying some unlucky woman’s evisceration in such classic scores as DEEP RED and SUSPIRIA.


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