HIGH-RISE composer Clint Mansell builds beautiful insanity – Interview

HIGH-RISE soundtrack | ©2016 Silva Screen

  If being a composer can drive one crazy, then few have stared so consistently into the mouth of madness with such interesting, and creatively invigorating results as Clint Mansell. The braintrust of the U.K. group Pop Will Eat Itself made his scoring debut drilling a distinctively electronic hole into the head of PI’s crazed mathemetician in 1998. His musical mind-warping partnership with director Darren Aronofsky would mine new headtrips of creativity, from the string needles of the Kronos Quartet that filled the veins of REQUIEM FOR A DREAM‘s drug addicts to the cosmically symphonic transcendence of a truth-seeker in THE FOUNTAIN, the […]Read On »


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GAME OF THRONES: Michael Lombardo on Season 6 – Exclusive Interview

GAMES OF THRONES - Season 6 poster | ©2016 HBO

HBO’s GAME OF THRONES begins is eagerly-awaited sixth season Sunday, April 24. The series is adapted from George R.R. Martin’s novel saga, but this year’s TV episodes extend beyond the events of the last published book. It’s been reported that executive producers/adapters David Benioff and D.B. (Daniel) Weiss want to do another thirteen episodes, over two seasons, after this year. We caught up with HBO President of Programming Michael Lombardo to talk about this and more. ASSIGNMENT X: How many more seasons of GAME OF THRONES would you like to do? MICHAEL LOMBARDO: I would like to be doing them […]Read On »


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GREEN ROOM: Brooke and Will Blair on taking a soft scoring approach to punk ultra-violence – Interview

GREEN ROOM soundtrack

When it comes to wreaking musical mayhem, film scores from micro-budgeters to multiplex tentpoles have beaten the band with percussive savagery, raging strings and knife-stab samples. But where these soundtracks have tried be even more murderous than the slashing blades, gun shots and assorted blunt instruments they accompany, Brooke and Will Blair have shown that one can effectively conjure brutality by speaking softly and carrying a big ambient stick. The Blair’s talent for lethally hypnotic minimalism has been an especially potent weapon in the films of Jeremy Saulnier. Mutually beginning their careers with 2007’s humorously sadistic indie thriller MURDER PARTY, the […]Read On »


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ARROW: Paul Blackthorne on Season 4 – Exclusive Interview

Paul Blackthorne as Detective Quentin Lance in ARROW | ©2013 The CW/Mathieu Young

On ARROW, now in its fourth season Wednesdays at 8 PM on the CW, Paul Blackthorne’s character Quentin Lance has been a police detective, a police captain, demoted, reinstated, alcoholic, sober, fighting against the vigilante hero, aka Oliver Queen (Stephen Amell), allied with him, and at various points in between. Blackthorne, who played supernatural private detective Harry Dresden in Syfy’s THE DRESDEN FILES, is also a documentary filmmaker when he’s not acting. The Englishman talks about both careers here. Note: This interview was conducted before the airing of the episode “Eleven-Fifty-Nine.” AX: What is happening with Quentin Lance when Season […]Read On »


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CITY OF GOLD: Composer Bobby Johnston hears the good eats of L.A. – Interview

CITY OF GOLD soundtrack | ©2016 Lakeshore Records

Los Angeles has usually been portrayed in decidedly unappetizing fashion by Hollywood, conveying a city full of kill-hungry zombies (THE OMEGA MAN), morally bankrupt magnates (CHINATOWN) gang bangers (COLORS) and corrupt cops (L.A CONFIDENTIAL) – a fictional situation disdainfully summed up by the epic movie documentary LOS ANGELES PLAYS ITSELF. However, it’s a documentary that now reverses courses for those fed up with LA’s fictionalized bad taste. For CITY OF GOLD resets the table in far more optimistic, and melodically fun fashion as it follows Pulitzer-prize winning food writer Jonathan Gold, a self-described “failed cellist” who’s reviews have gone on […]Read On »


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BEOWULF: Kieran Bew plays the legendary hero – Exclusive Interview

Kieran Bew in BEOWULF | ©2016 ITV Studios

There are actors who have to learn how to use a sword once they get a role in a heroic fantasy. Then there’s Kieran Bew, who was a British sword cadet champion in his teens before he ever became an actor. Not all of Bew’s film and television work has called for work with bladed weaponry. His resume includes the features GREEN STREET HOOLIGANS and AVP: ALIEN VS. PREDATOR and the British TV series THE BILL, SILENT WITNESS, WPC 56 and THE BLETCHLEY CIRCLE. Then again, the English actor has also appeared in the 2008 TV CRUSOE and in the […]Read On »


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THE MAGICIANS: Executive Producer John McNamara on Season 1 – Exclusive Interview

Stella Maeve in THE MAGICIANS - Season 1 | ©2016 Syfy/Lorenzo Agius

In Syfy’s new Monday night series THE MAGICIANS, based on the trilogy of novels by Lev Grossman, magic is real. Some, like Quentin Coldwater (Jason Ralph), study the magical arts at Brakebills University, while others, like Quentin’s lifelong friend Julia (Stella Maeve), learn more dangerously on the street. Magic may help explain how John McNamara, who adapted THE MAGICIANS for television with fellow executive producer Sera Gamble, is working out his schedule. McNamara is also executive-producing NBC’s Sixties-era crime drama AQUARIUS, starring David Duchovny, which will be airing its second season later this year, and discussing the Fifties/Sixties Hollywood blacklist […]Read On »


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Interview: Composer Stephen Raynor-Endelman banks on MADOFF

MADOFF | ©2016 ABC

Few English composers have gotten to score the stylistic extremes of America like the creatively and physically pugnacious Stephen Raynor-Endelman, a musician of all emotional trades if there ever was one. A musical prodigy who’d write two operas by the wage of 18, Endelman moved to New York to start fulfilling a movie scoring career with such individualistic, eccentric scores as HOUSEHOLD SAINTS, POSTCARDS FROM AMERICA and IMAGINARY CRIMES. His music depicting rough and tumble lives with humanity to spare before going back to the British and Irish isles with the romantic comedy, and fatherly drama of THE ENGLISHMAN WHO […]Read On »


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Co-creator Katie Newman on BEOWULF – Exclusive Interview

Kieran Bew as Beowulf in BEOWULF - Season 1 | ©2016 Esquire / ITV Studios

What work of fiction is between 1,000 and 1,300 years old and is just coming to television now? That would be the epic Anglo-Saxon poem BEOWULF, premiering as the thirteen-part BEOWULF: RETURN TO THE SHIELDLANDS Saturday, January 23, as Esquire Network’s second scripted series. For those unfamiliar with the myth or the multiple motion pictures, Beowulf is a Scandinavian hero who comes to Hrothgar’s Hall (i.e., castle) to save the citizens from a marauding monster called Grendel. In BEOWULF, Beowulf (Kieran Bew) spent much of his childhood in Heorot Hall as the ward of its ruler, Thane Hrothgar (William Hurt), […]Read On »


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MERCY STREET: Co-creator David Zabel talks new Civil War drama – Exclusive Interview

Josh Radnor is Jedediah Foster and Norbert Leo Butz is Dr. Byron Hale in MERCY STREET - Season 1 | ©2016 PBS/Antony Platt

MERCY STREET is PBS’ first original drama series in over a decade to be set in America. Now in its six-episode first season on Sunday nights, MERCY STREET is set during the Civil War in a hotel, owned by a Confederate family that refuses to leave, even after the building has been commandeered and made into a military hospital by the Union Army. Mary Elizabeth Winstead, Josh Radnor, Hannah James, McKinley Belcher III, Gary Cole, Donna Murphy, AnnaSophia Robb, Shalita Grant and Norbert Leo Butz are among the leads in the large ensemble cast. As of publication time, PBS wouldn’t […]Read On »


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