Alfred Molina tames El Rey’s MATADOR – Exclusive Interview

By ABBIE BERNSTEIN 08/26/2014
Alfred Molina in MATADOR | ©2014 El Rey

In El Rey Network’s MATADOR, now in its first season Tuesday nights at 9 PM and already renewed for Season 2, DEA agent Tony Bravo (Gabriel Luna) is recruited by the CIA to pose as a soccer player so that he can spy on the operations of L.A. Riot team owner – and international criminal – Andres Galan, played by Alfred Molina. London-born Molina will be familiar to most audiences the world over from his small but indelible role as Satipo, who gets the ball rolling (as it were) at the beginning of RAIDERS OF THE LOST ARK. Three decades […]Read On »


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Olivia Williams takes MANHATTAN – Exclusive Interview

By ABBIE BERNSTEIN 08/25/2014
Olivia Williams in MANHATTAN - Season 1 | ©2014 WGN

WGN America’s new series MANHATTAN, airing Sunday nights, is a dramatized look at the then-ultra-secret World War II-era Manhattan Project. The United States hid away a group of scientists and their families in Los Alamos, New Mexico, so that the atomic bomb could be developed without prying eyes. Olivia Williams plays Liza Winter, another scientist who finds herself professionally ignored while her husband Frank, portrayed by John Benjamin Hickey, toils with the other physicists on the practical applications of nuclear fusion. Williams, a native of London, England, is no stranger to historical stories or characters with big secrets. Regarding the […]Read On »


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Composer Brian Tyler gets busy with scoring TEENAGE MUTANTS NINJA TURTLES, EXPENDABLES 3 and INTO THE STORM – Interview

By DANIEL SCHWEIGER 08/12/2014
TEENAGE MUTANT NINJA TURTLES soundtrack | ©2014 Atlantic Records

When it comes to musical testosterone, Brian Tyler’s work is the equivalent of a soundtrack Stairmaster playing at top speed. Whether he’s scoring Viking gods, international speed racers or not-so over-the-hill brothers in arms, Tyler’s dynamically percussive rhythms blast multiplex speakers with maximum impact, his mighty cues throttling from one explosive crescendo to the next. But while Tyler’s action-centric scores are all about energetic attitude, he rocks out in a way that shows his old-school understanding for the importance of themes, let alone melody. It’s exactly this dynamic way of incorporating an orchestra with cutting-edge chords that’s made Tyler into […]Read On »


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Exclusive Interview: FINDING CARTER star Alexis Denisof on MTV’s new drama series

By ABBIE BERNSTEIN 07/24/2014
Alexis Denisof in FINDING CARTER - Season 1 | ©2014 MTV

In MTV’s new Tuesday night drama FINDING CARTER, the Wilson family has undergone two huge jolts. One was twelve years ago, when then-three-year-old daughter Lyndon was kidnapped. The other is in the present, when Lyndon, who has reached the age of fifteen in the identity of Carter Stevens (Kathryn Prescott), is returned to her actual parents, sister and brother. Since Carter has grown up believing the woman who raised her was her real mother, it’s quite a shock to her – and having her back is a jolt to her biological kin as well. Alexis Denisof, who plays Carter/Lyndon’s father […]Read On »


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Exclusive Interview: Dante Palminteri on SHARKNADO 2: THE SECOND ONE

By ABBIE BERNSTEIN 07/22/2014
Dante Palminteri in SHARKNADO 2: THE SECOND ONE | courtesy Dante Palmenteri

In Syfy Channel’s SHARKNADO 2: THE SECOND ONE, which has its public premiere on the network Wednesday, July 30 at 9:00pm ET/PT, hurricanes once again scoop massive amounts of sharks on the ocean and create havoc by dropping them onto a major American city. In the original SHARKNADO, it was Los Angeles; in THE SECOND ONE, it’s the Big Apple. SHARKNADO 2 was filmed on location in Manhattan by director Anthony C. Ferrante and written by Thunder Levin, who both held those jobs on the first film. Dante Palminteri plays Vaughn Brody in SHARKNADO 2, the son of Martin, played […]Read On »


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Exclusive Interview: Roberto Orci & Scott Sassa on MATADOR

By ABBIE BERNSTEIN 07/15/2014
Matador Season 1 poster | ©2014 El Rey

MATADOR, the second new scripted series (the first was FROM DUSK TILL DAWN, which had its first season earlier this year) on Robert Rodriguez’s El Rey network, premieres Tuesday, July 13. Despite its title, the action/adventure/spy series, created by Jay Beattie, Dan Dworkin, Andrew Orci & Roberto Orci, has nothing to do with bullfighting. Instead, “Matador” is the nickname given to new L.A. Riot soccer player Tony Bravo (Gabriel Luna) due to a particular action he takes during his tryout for the team. Nobody except his handlers know that Tony is really a D.E.A. agent who’s been recruited by the […]Read On »


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Exclusive Interview: Ian Anthony Dale on MURDER IN THE FIRST

By ABBIE BERNSTEIN 07/14/2014
Ian Anthony Dale in MURDER IN THE FIRST - Season 1 | ©2014 TNT/Doug Hyun

In TNT’s MURDER IN THE FIRST, Mondays at 10 PM, the San Francisco police homicide squad works on a number of cases, but always circles back to the investigation of the murder of a young woman who worked for a super-wealthy entrepreneur (Tom Felton). Ian Anthony Dale plays Detective Jim Koto. This is hardly Dale’s first go-round as law enforcement – he and fellow MURDER IN THE FIRST actor Taye Diggs previously played police partners in the series DAY BREAK. The Minnesota native also starred in the science-fiction series THE EVENT, has a recurring role on HAWAII FIVE-0 and appeared […]Read On »


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Interview: SNOWPIERCER composer MARCO BELTRAMI is on the right sound-track

By DANIEL SCHWEIGER
SNOWPIERCER | ©2014 The Weinstein Company

Among the genre-centric composers who’ve carried on the torch from Jerry Goldsmith, few stand out for blazingly inventive sci-fi and horror scores like the maestro’s USC protégé Marco Beltrami. Just as his mentor used his memorable thematic talents for orchestrally, and electronically conveying psychopaths, aliens and futuristic adventure, Beltrami has jumped on a similarly imaginative and prolific bandwagon. Since the psychopathic score for the smash 1996 hit SCREAM stabbed Beltrami into the Hollywood map, the composer has used every trick from chilling melodies to thunderous percussion and angelic choruses to embody the fantastical and fearful, music capable of rapturously symphonic […]Read On »


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Interview: EARTH TO ECHO composer Joseph Trapanese phones home

By DANIEL SCHWEIGER 07/13/2014
EARTH TO ECHO soundtrack | ©2014 Relativity Music Group

Listen to such pulsing wavelengths as Fall on Your Sword’s ANOTHER EARTH, Nathan Johnson’s LOOPER Nima Fakhara’s THE SIGNAL or Steven Price’s Oscar-winning GRAVITY, and you’ll pick up loud and clear on the burgeoning film scoring genre I prefer to call “alt. sci-fi.” It’s a plane of electro-orchestral existence where traditional symphonic melody (or at least the spirit of it) gets fused with an acoustical rock and roll vibe that can veer from psychedelia to grunge. Organic samples of everything from scraped metal to car engines are warped into new, unearthly entities, joining with electronic percussion and atmospheres that can […]Read On »


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Interview: FARGO composer Jeff Russo makes his own musical hit for FX’s reinvention

By DANIEL SCHWEIGER
FARGO soundtrack | ©2014 Sony Music

With the winning likes of such improbable fim-to-tv adaptations as HANNIBAL, the boob tube and its scoring seem to have gotten significantly smarter and edgier than it’s been in the last several decades – or at the very least since the 16 years that FARGO first hit movie theaters. This North Dakota-set film noir represented the Coen Brothers at the height of their gleefully twisted irony, as a horrifically violent kidnapping-gone-wrong played out amidst cheerful salt of the Midwestern earth types. And only a humble (and very pregnant) female sheriff has the horse sense to figure out that this escalating […]Read On »


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