TV Review: THE CAPE – Season 1 – ‘Tarot’

David Lyons in THE CAPE - Season 1 | ©2011 NBC

Wasting no time for its audience or its characters, “Tarot,” the second episode of THE CAPE gets into all kinds of mayhem in no time, as our hero Vince Faraday, aka the Cape (David Lyons), seems to get the drop on his arch-nemesis Chess (James Frain) – only to be felled by poison delivered by Cain, aka the Chef (Raza Jaffrey).


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TV Review: THE CAPE – Season 1 – ‘Pilot’ – Series Premiere

David Lyons in THE CAPE - Season One | ©2011 NBC/Paul Drinkwater

Stars: David Lyons, Keith David, James Frain, Jennifer Ferrin, Ryan Wynott Writer: Tom Wheeler Director: Deran Serafian Network: NBC, Mondays @ 9 PM Original Telecast: January 9, 2011 In all of the recent incarnations of TV superheroes, some sort of powers have come into play. The rights to BATMAN being tied up as they are at another studio, writer Tom Wheeler has come up with a new completely human hero, the Cape, who fights crime in fictitious Palm City. Of course, the Cape wasn’t always the Cape. He started out, and remains in his heart, Vince Faraday (David Lyons), loving […]Read On »


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Exclusive Photos: From the World Premiere of TRON: LEGACY

Olivia Wilde at the World Premiere of TRON: LEGACY | © 2010 Sue Schneider

Walt Disney Pictures held the World Premiere of TRON: LEGACY, presented by NOKIA on December 11th at the El Capitan Theatre in Hollywood. The setup for TRON: LEGACY was amazing…blue carpet…neon backgrounds and girls dressed in white costumes greeting the stars and guests as they arrived. Walking the carpet were the stars of the film, which included Garrett Hedlund, Olivia Wilde (HOUSE), Jeff Bridges, Bruce Boxleitner, James Frain, Michael Sheen, Anis Cheurfa, Beau Garrett, Sirinda Swan, Yaya DaCosta, Elizabeth Mathis, Justin Springer (co-producer), screenwriters Edward Kitsis and Adam Horowitz, director Joseph Kosinski, and Daft Punk (original music). Joining them were […]Read On »


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Movie Review: TRON: LEGACY

TRON: LEGACY opens with a very cool, TRON-ized rendition of the traditional Walt Disney Pictures logo, with the fairytale castle rendered in black, white and silver. This suggests that we’re in for a film of mild subversion that makes what we’ll see just that more wonderful. Actually, what we’re in for is a surprisingly faithful follow-up to the original 1982 TRON. Will we see an alternate universe where anthropomorphic computer programs are rendered primarily in shades of black, white and gray? We will. Will the light cycles of the first film have been updated to be more exciting and dynamic? Yes, they will. Will TRON: LEGACY have the same issue as its predecessor when it comes to thin characterizations and talk about changing the world so grand, broad and vague that it could mean practically anything? Yes, it will.


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