CD review: TAKE THIS WALTZ soundtrack
A prolific Canadian composer whose most popular film might still be his scoring debut out of the slasher gate with 1982s VISITING HOURS, Jonathan Goldsmith has since written far more delicate works, especially for director Sarah Polley on AWAY FROM HER and STORIES WE TELL. There’s a real feminine sensitivity to the actress-turned-filmmaker’s work, a tenderness that Goldsmith captures with surreal enchantment for the exceptional romantic drama TAKE THIS WALTZ. As Polley depicts the slow, sensual burn towards a marriage-ending affair, Goldsmith captures her breathless anticipation with music box bells and the light tap of a piano, graced with muted […]Read On »
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