CD Review: BETTER LIVING THROUGH CHEMISTRY soundtrack

By DANIEL SCHWEIGER 06/10/2014
BETTER LIVING THROUGH CHEMISTRY soundtrack | ©2014 Lakeshore Records

Few comedy-minded composers are bridging the gap between the days of future alt. rock and the past’s pop kitsch like Andrew Feltenstein and John Nau, especially when it comes to all-out spoofs that allowed the free for all of jazz, psychedelic and Mexican music in CASA DI ME PADRE or the 70s funk fest and shark love songs of ANCHORMAN 2. But what makes LIVING better, and more challenging is that instead of uproarious pop culture and movie jokes, this scoring duo is tasked with rampaging through regular day suburbia, if still completely jacked up on illicit sex and drugs. […]Read On »


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CD Review: UNDER THE SKIN soundtrack

By DANIEL SCHWEIGER 06/09/2014
UNDER THE SKIN soundtrack | ©2014 Milan Records

There are WTF scores. And then there are WTF scores, soundtracks that take an approach so utterly bizarre and unique that their composers don’t seem to have originated from this planet. On that note, someone had better do a major physical examination of Mica Levi, a seemingly come-from-nowhere musician – at least if you aren’t aware of her alternative career in Micachu and The Shapes. But given this young, classically trained artist’s stunning, and startling scoring debut, you just might assume her place of origin is another star system. For how else to describe the sound mass that’s likely what […]Read On »


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CD Review: SOLAR CRISIS soundtrack

By DANIEL SCHWEIGER 06/08/2014
SOLAR CRISIS soundtrack | ©2014 Intrada Records

I may have been the only person to see this intended sci-fi epic on the big screen back in 1990, let alone enjoy the loony virtues of Alan Smithee’s (i.e. Richard Sarafian’s) voyage to bomb the sun, a mission pre-figuring SUNSHINE‘s by almost two decades. Powered with impressive effects by 2010’s Richard Edlund, this 50 million dollar Japanese-American co-production was filled with stars like Tim Matheson, Jack Palance, Peter Boyle and Charlton Heston (because you can never end the Earth without him). But perhaps the most impressive passenger aboard SOLAR CRISIS was Maurice Jarre, who’s catch-all style score was especially […]Read On »


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Interview: EDGE OF TOMORROW composer Christophe Beck stays alive with his first sci-fi score

By DANIEL SCHWEIGER 06/07/2014
EDGE OF TOMORROW | ©2014 Warner Bros.

In the two or so decades since Christophe Beck followed Howard Shore and Mychael Danna as one of Hollywood’s most valuable Canadian composing imports, the burly, bearded and bespectacled musician has become an exemplar on how to incorporate a pop-rock sensibility into an old school, and often orchestral talent for melody. It’s a hummable talent that’s made him a go-to guy for teen hijinks (THE PERFECT MAN, A CINDERELLA STORY), rhythmically swooning romance (GUINEVERE, UNDER THE TUSCAN SUN), talking animals (GARFIELD, THE MUPPETS) and thoroughly R-rated bad boy behavior (THE HANGOVER, HOT TUB TIME MACHINE) – all before really hitting […]Read On »


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CD Review: SHE-DEVIL soundtrack

By DANIEL SCHWEIGER
SHE-DEVIL soundtrack | ©2014 Music Box Records

Before Howard Shore became the thunderous orchestral king of serial killers, fantasy epics and heavy duty drama, the Canadian composer (and former SNL music director) did indeed have a funny bone to his body early in his Hollywood career, as can be evidenced by AFTER HOURS, BIG and even MOVING.  Sure these scores might have been sandwiched between the Cronenbergian likes of THE BROOD and THE FLY, but humor has always provided Shore with some of his most purely enjoyable scores, especially when taking on the harlot-housefrau battle between Meryl Streep and Roseanne Barr in 1989s SHE-DEVIL. DESPERATELY SEEKING SUSAN director […]Read On »


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CD Review: THE RAILWAY MAN soundtrack

By DANIEL SCHWEIGER 06/05/2014
THE RAILWAY MAN soundtrack | ©2014 Varese Sarabande Records

David Hirschfelder has long shown his talent for playing the sweep of historical drama from the darkly regal ELIZABETH to the epic saga of his homeland in AUSTRALIA. But he’s just as capable of hauntingly intimate, character-oriented scores, whether it’s solving the murder mystery behind THE WEIGHT OF WATER to helping a mentally drained pianist unlock the greatness within himself for SHINE. Hirschfelder’s abilities join like never before in tracking the path from atrocity to forgiveness with THE RAILWAY MAN, a devastatingly powerful, true-life film about a WW2 POW coming to terms with the atrocities visited on him and his […]Read On »


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CD Review: ROSWELL and COMMUNION soundtracks

By DANIEL SCHWEIGER 06/04/2014
ROSWELL and COMMUNION soundtracks | ©2014 Buysoundtrax

After respectably re-performing John Carpenter and Ennio Morricone’s THE THING,  Buysoundtrax now breaks the ice on two lesser-known “true life” alien scores, one involving the human probing done on some accidental visitors to ROSWELL, then playing a writer’s metaphysical close encounter for COMMUNION. Yet despite the role-reversals, both scores are tried together by a lyrical approach steeped in mystery, and a sense for peaceful understanding, even if that might not be the government’s aim for the first 1994 Showtime movie, which continued composer Elliot Goldenthal’s streak of memorable genre scores following PET SEMETARY, ALIEN 3 and DEMOLITION MAN. While taking […]Read On »


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CD Review: THE RUNNER STUMBLES soundtrack

By DANIEL SCHWEIGER 06/03/2014
THE RUNNER STUMBLES soundtrack | ©2014 Buysoundtrax

Funnily enough, the eleven film collaboration between Stanley Kramer and Ernest Gold will likely be most popularly remembered for their one-shot laugh fest IT’S A MAD MAD MAD MAD WORLD as opposed to the far more serious music that was otherwise conjured by the likes of THE DEFIANT ONES, ON THE BEACH and INHERIT THE WIND. But even among these sweepingly somber scores, the one film, and soundtrack that’s completely flown under the radar is Kramer’s 1979 swan song THE RUNNER STUMBLES, in which had the audacity to dramatically cast the ever-loveable Dick Van Dyke as a priest accused of […]Read On »


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CD Review: MUPPETS MOST WANTED / THE MUPPETS soundtrack

By DANIEL SCHWEIGER 06/01/2014
MUPPETS MOST WANTED / THE MUPPETS soundtrack | ©2014 Intrada Records

Animation has been a particularly well-suited realm for Christophe Beck to practice his melodically energetic way of giving an orchestra the frisky, bright vibes of pop music, a Pharrell-ish feeling of optimism as well as playfully ominous danger that’s recently helped to propel The Mouse House’s short PAPERMAN to an Oscar win before assisting in FROZEN‘s feature-length CGI-toon gold – a movie that’s made Beckthe box office champ of cartoon scoring as well. And if Beck can give animation the sensation of infectous happiness, than why not felt? Such is the antically pleasant spin he’s given to two Muppet movies, […]Read On »


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CD Review: CREEPSHOW soundtrack (3,000 edition)

By DANIEL SCHWEIGER 05/31/2014
CREEPSHOW soundtrack | ©2014 La La Land Records

From the time when the denizens of NIGHT OF THE LIVING DEAD shambled through its farmhouse field to the tune of creature feature stock music, George Romero’s horror films have had a pulp throwback feel to them that recalled the graphic, moral comeuppance of such E.C. comics as “Tales From the Crypt” and “Vault of Horror.” So it was only natural that the filmmaker would unleash his own cinematic, blood-colored anthology with 1982s CREEPSHOW, authored by no less than Stephen King. It’s a film that for many remains the director’s most unhinged and pleasurable effort, especially with its seamless combination […]Read On »


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