Interview: TAKEN 2 composer Nathaniel Menchaly gets into the action of scoring
When it comes to international action scoring, there’s one composer with a very particular set of skills, skills that he’s acquired as a kick-ass house musician in Luc Besson’s factory of fury. For a producer who pumps out a seemingly unending stream of pictures wherein company men, crooks and assassins of all stripes and colors outrace, outwit and outshoot their way from seemingly impossible predicaments, Nathaniel Méchaly is the guy with the backbeat to get the job done. But when the percussive scoring style that infuses nearly all movies of this type are getting more than winded (especially in America), […]Read On »
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