Exclusive Interview: WRONG COPS director Quentin Dupieux gets surreal again
If Salvador Dali had gone indie film, you might expect the end result to resemble the satirically brilliant work of Quentin Dupieux. As set in an alternate universe called Los Angeles, Dupieux’s movies are an anything-goes collection of bad behavior, obnoxious truth-seeking and the serene acceptance of the insane, whether he used a psychic killer tire to deconstruct the movie going experience itself in RUBBER, had a dweeb’s hunt for a dog take down self-help cultism in WRONG, or now uses police corruption as an acerbic commentary on the music biz in WRONG COPS – just one of the many […]Read On »
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