THE ROOKIE: Creator and executive producer Alexi Hawley gives the scoop on Season 6 and more – Exclusive Interview

By ABBIE BERNSTEIN 02/20/2024
Nathan Fillion in THE ROOKIE - Season 6 - "Strike Back" | ©2024 Disney/Raymond Liu

THE ROOKIE, ABC’s dramedy cop show, premieres its sixth season on Tuesday, February 20. The following week, the series celebrates its milestone 100th episode, which features the wedding of Nathan Fillion’s LAPD rookie-turned-training officer John Nolan to Jenna Dewan’s firefighter Bailey Nune. Series creator/executive producer Alexi Hawley, who wrote and directed Episode 100, “The Hammer,” sits down for a one-on-one interview to discuss THE ROOKIE during ABC’s portion of the Winter 2024 Television Critics Association (TCA) press tour in Pasadena, California. Not many shows make it to one hundred episodes. What does Hawley credit with THE ROOKIE’s longevity? “Nathan Fillion, […]Read On »


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Movie Review: THE WOMAN IN THE WINDOW

By ABBIE BERNSTEIN 06/02/2021
THE WOMAN IN THE WINDOW movie poster | ©2021 Netflix

Rating: R Stars: Amy Adams, Gary Oldman, Julianne Moore, Anthony Mackie, Fred Hechinger, Wyatt Russell, Brian Tyree Henry, Jennifer Jason Leigh, Jeanine Serralles, Mariah Bozeman, Tracy Letts Writer: Tracy Letts, based on the novel by A.J. Finn Director: Joe Wright Distributor: Netflix/20th Century Studios Release Date: May 14, 2021 THE WOMAN IN THE WINDOW isn’t shy about referencing the film REAR WINDOW. There’s a clip from the latter at the beginning of the former. Our protagonist, Anna Fox (Amy Adams), is an old movie buff, among other things. Her viewing choices provide a few clues as to what’s going on. […]Read On »


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CD Review: REAR WINDOW soundtrack

By DANIEL SCHWEIGER 11/30/2014
REAR WINDOW soundtrack | ©2014 Movie Score Media

In a particularly striking case of turning fate’s rotten apples into ironic oranges, quadriplegic actor Christopher Reeve went with his immobilizing accident to gain the opportunity of bring true realism to the part of the paralyzed, voyeuristic hero – whom unlike the broken-legged James Stewart of the Hitchcock original – isn’t going to be getting out of his wheelchairl. Beyond Reeve get an Emmy nomination for his performance here, the TV remake’s second Emmy recognition would deservedly go to composer David Shire. With such memorably tense scores to his credit as THE CONVERSATION and ALL THE PRESIDENT’S MEN, Shire approached […]Read On »


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