Movie Review: THE GOOD HOUSE

By ABBIE BERNSTEIN 09/30/2022
THE GOOD HOUSE | ©2022 Lionsgate

Rating: R Stars: Sigourney Weaver, Kevin Kline, Morena Baccarin, Rob Delaney, David Rasche, Beverly D’Angelo, Paul Guilfoyle, Kathryn Erbe, Kelly AuCoin, Georgia Lyman, Rebecca Henderson, Molly Brown Writers: Thomas Bezucha and Maya Forbes & Wally Wolodarsky, based on the novel by Ann Leary Directors: Maya Forbes & Wally Wolodarsky Distributor: Lionsgate/Roadside Attractions Release Date: September 30, 2022 THE GOOD HOUSE is set (mostly) in the present, but it feels like a whole lot of other literary adaptations, especially from the ‘70s and ‘80s. Indeed, THE GOOD HOUSE has been adapted from Ann Leary’s novel by the film’s directors, Maya Forbes […]Read On »


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Movie Review: WEREWOLVES WITHIN

By ABBIE BERNSTEIN 06/30/2021
WEREWOLVES WITHIN movie poster | ©2021 IFC Films

Rating: R Stars: Sam Richardson, Milana Vayntrub, Harvey Guillėn, Cheyenne Jackson, Michaela Watkins, Michael Chernus, Catherine Curtin, George Basil, Sarah Burns, Wayne Duvall, Rebecca Henderson, Glenn Fleshler Writer: Mishna Wolff, based on the Ubisoft videogame Director: Josh Ruben Distributor: IFC Films Release Date: June 25, 2021 WEREWOLVES WITHIN starts off promisingly, by making a Mr. Rogers quote seem scary. It at first seems like director Josh Ruben and writer Mishna Wolff, in a very loose adaptation of the Ubisoft videogame of the title, are aiming for a HOWLING/LOST BOYS-type groove, with some CLUE in the foundation. After a prologue in […]Read On »


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Movie Review: THEY REMAIN

By ABBIE BERNSTEIN 03/02/2018
THEY REMAIN | © 2018 Paladin

Rating: Unrated Stars: William Jackson Harper, Rebecca Henderson Writer: Philip Gelatt, based on the novella -30- by Laird Barron Director: Philip Gelatt Distributor: Paladin Release Date: March 2, 2018 (New York); March 9, 2018 (Los Angeles)   Adapting Laird Barron’s novella -30-, screenwriter/director Philip Gelatt gets good horror mileage out of a strong premise and a small cast with THEY REMAIN. Although a few other characters show up now and then, and there’s a voice representing the employment company, THEY REMAIN is virtually a two-hander. Gelatt wrings maximum tension out of the set-up, and ends on a note that is […]Read On »


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