CD Review: RED TAILS soundtrack
Terence Blanchard has been fighting the good fight when it comes to scoring the black experience in any number of scores for Spike Lee, including his look at negro soldiers in the WW2 Italian conflict for the MIRACLE AT ST. ANNA. But if this composer hasn’t progressed in Hollywood as far as he should have long ago, it’s because Blanchard’s complex, jazz-inflected orchestral writing for Lee’s films, not to mention his pigeonholing as a composer best suited to urban-themed pictures (thankfully excepting his awesomely nutty Kung Fu score to BUNRAKU) hasn’t made him as easily clichéd as a whitebread ‘action […]Read On »
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