Blu-ray Review: THE STUFF

By PETER BROWN 04/23/2016
THE STUFF | © 2016 Arrow Video

THE STUFF is one of those classic 80s flicks that has a lot going for it. First of all it is a mixture of both THE BLOB and zombie flicks but also a crack in the ribs at consumerism that was one of the general themes of many horror flicks back during the era. The plot is pretty interesting as well and not something we have seen used often as a trope among horror flicks. A weird goo oozes out of the ground in a remote location, so what’s the logical thing to do? Taste it, of course. Amazingly it […]Read On »


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Exclusive Interview: HOLLISTON Star and Co-Exec Prod. Joe Lynch on Season 2

By ABBIE BERNSTEIN 08/06/2013
HOLLISTON Season 2 POSTER | ©2013 FEARnet

Tonight is the Season 2 finale of FEARnet’s horror comedy series HOLLISTON. HOLLISTON’s primary set is the interior of an apartment set at the Red Studios in Hollywood. The walls are covered in horror movie posters, including one for series creator/executive producer/star Adam Green’s original HATCHET (which he wrote, produced and directed). The refrigerator is covered in horror-type magnets, there’s a creepy painting in the bathroom and there’s a bedroom closet that’s the dwelling of a heavy metal monster called Oderus Urungus (played by Dave Brockie). Right now, there’s a scene going on in the bedroom involving Green’s character Adam, […]Read On »


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CD review: THE BLOB original soundtrack (2,000 edition)

By DANIEL SCHWEIGER 06/19/2011
THE BLOB original soundtrack | ©2011 La La Land Records

Ahhh, to be back in the synth-driven days of horror scoring, especially covered in red, keyboard goo, voices, dark strings and feverish percussion that accompanies the 1988 BLOB– all placed into an undulating musical mass by Michael Hoenig. Having played with Tangerine Dream, Hoenig’s first synth credit was gracing GALAXY OF TERROR before establishing his own composing chops on such genre cult favorites as MAX HEADROOM, THE WRAITH, THE GATE and I, MADMAN. While THE BLOB’s music seems to be all effectively shapeless stings dribbling tones, and militarism for the true government bio-villains, Hoenig’s score really kicks into gear during […]Read On »


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