Interview: Rob Simonsen on scoring THE SPECTACULAR NOW and THE WAY WAY BACK
Just as guitars and soulful rock-pop melody signaled the youthquake revolution in film scoring with Simon and Garfunkel’s score to THE GRADUATE in 1967, today’s movies about troubled teens on the cusp of a far larger adult world are sounding out with a similar spirit that reflects what the “kids” are listening to, as opposed to their grandparents’ old-school symphonic scores. However, pop-rock is an ever-growing animal as well, having ventured well off the top 40 mainstream since the days when a strumming approach was all that you needed to signal a post-adolescent breaking away from conformity. Now teen dramedies […]Read On »
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