CD Review: THE KNICK soundtrack
Where prolific filmmaker Steven Soderbergh has gone to Thomas Newman for the trippy ambience of SIDE EFFECTS, and David Holmes for the jazz groove of the OCEANS trilogy, Cliff Martinez continues to prove a reliable, experimental constant since director and composer made their indie bones on 1989s SEX, LIES AND VIDEOTAPE. Both have considerably broadened their repertoire from that ambient hip-hop score which redefined the look and sound of alternative cinema, their collaborations ranging from the enraged crime percussion of THE LIMEY to the modernistic orchestral score of SOLARIS and the retro-virus suspense of CONTAGION. But whatever approach he’s taken, […]Read On »
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