CD review: CAMELOT original TV soundtrack

By DANIEL SCHWEIGER 06/05/2011
CAMELOT original soundtrack | ©2011 Varese Sarabande Records

Where the music of King Arthur tends to sweep in like a massively noble symphony on steeds, scoring brothers-in-arms Mychael and Jeff Danna do well by playing their leader as a subtler, second coming for another Showtime series that sexes up mythic history, this time in the realm of CAMELOT. It’s an intriguing setting for a world music approach that creates its sorcery with Indian ragas, exotic percussion, horns and Celtic rhythms, an approach that’s as timeless as it is lyrical. While the Dannas might not have the magic to get the kind of trumpeting orchestral firepower afforded to the […]Read On »


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CD Review: SUPERMAN / SHAZAM! THE RETURN OF BLACK ADAM original soundtrack

By DANIEL SCHWEIGER 05/21/2011
SUPERMAN/SHAZAM! THE RETURN OF BLACK ADAM original soundtrack | ©2011 La La Land Records

Forget The Wonder Twins and that stupid blue monkey. DC Comics’ animation certainly isn’t kids’ stuff anymore, especially given the musical sophistication that’s put into this direct-to-video DC Showcase edition (half of whose four chapters would gleefully get a reject stamp by The Comics Code Authority). Tying the disparate sounds of its stories together are Jeremy Zuckerman and Benjamin Wynn, whose musical wonder powers ignite under the emblem of Track Team. Getting the muscle of a real orchestra through samples, and above all good writing, Zuckerman and Wynn bring superhero majesty, and mythic enchantment to the Showcase’s best entry that […]Read On »


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CD Review: KUNG FU / MAN IN THE WILDERNESS

By DANIEL SCHWEIGER 12/02/2010
© 2010 Film Score Monthly Records | Kung Fu Soundtrack

It’s finally time to snatch a pebble out of Film Score Monthly’s hand with this soundtrack two-fer, which combines music from two poetically different scores for men seeking their way in the American outback. The first traveler just happens to be everyone’s favorite Shaolin fugitive monk Cain, whose mystical tête-à-têtes with his teachers are front and center through much of KUNG FU. Though designed as a concept album in 1973 by composer Jim Helms, some score purists might take umbrage to so much dialogue on an FSM release. Yet it’s almost hard to imagine Helms’ harmonies without the Confucianisms, the […]Read On »


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